Use ladder stitch to join the mitres together. Again, working from the centre to each outside edge in turn.ġ3.
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Repeat the process to lace the short sides firmly together. Top tip! Reduce bulk by cutting away excess fabric from the mitre, being careful to cut at least ¼in away from the corner.ġ2. For a sharp finish set mitres and pin each corner. Knot another length of buttonhole thread and complete the other half.ġ1. Work towards the outer left side, picking up any tension as you go. Continue to work long zig-zag stitches lacing from top to bottom. Starting in the top middle (of the longer side), take your needle through the fabric leaving the knot on the surface. Knot a long length of buttonhole thread – ideally you want to complete each section in one run. Fold the short sides in first, then the longer sides on top. Trim away any excess fabric leaving 1½in on all sides.ĩ. Once the design is central and taut turn over onto a soft, clean cloth.
![framing embroidery framing embroidery](https://cdn.shopify.com/s/files/1/1278/3645/products/embroidery-hoop-stand-1.jpg)
Or for a regular Stitch fix, check out our digital and print subscriptions!Ĩ. If you fancy stitching Ilke Cochrane’s uplifting rainbow for yourself, you’ll find it and many other fantastic projects in the Stitch issue 130. Continue to ease the fabric and secure with more pins now you’re happy. Remember to work from the centre outwards on each side again. Turn over and review to ensure the design is positioned correctly and the embroidery is lying flat and square. Repeat for the left and right-hand sides.ħ.
FRAMING EMBROIDERY PROFESSIONAL
Top tip! For a more professional finish, keep an eye on the grain of the fabric and run it as straight as possible.Ħ. From the centre out, carefully smooth and ease the fabric securing with pins at the edges as you go. Position your embroidery centrally over the padded board. Pull the calico taut around each side and use the tape to hold in place.ĥ. Run double sided tape round all sides of the back of the board. Cut a piece of calico 1in bigger on all sides than the board. For goldwork or other raised work you may wish to add an extra layer.Ĥ. Top tip! The wadding provides padding for the embroidery and gives a plusher finish. On one side use double-sided sticky tape to attach a single layer of wadding. Top tip! Accurate cutting is vital – use a set square to check the corner angles are 90 degrees, and the sides are straight and the exact length.ģ. Use your rotary cutter or craft knife on your cutting mat to cut a piece of mount board to match. Determine the dimensions of your embroidery you wish to be on display.Ģ.
FRAMING EMBROIDERY HOW TO
Follow our straightforward guide to learn how! How to lace your embroidery for display You will need The process also helps remove creases and ease out any unwanted bumpy or lumpy areas. It’s something you’ll need to do if you want to frame your finished work, although it also looks great within its own right. You can purchase it in either a thick or thin option.Given the time and care invested in any stitching project, it’s worth putting the effort into mounting it properly over a board.
FRAMING EMBROIDERY FREE
You may be wondering what foam core board is?īasically it is a layer of foam sandwiched between two sheets of acid free card. You could also use small pieces of board, just under the frame so they don't show, called spacers. One way to do this is to use a mount or matt board. The important thing is to not let the glass touch the embroidery. If it is going to hang in an area where smokers gather, glass would help protect your valuable work from tobacco smoke. However if your picture is going to be hung on the wall and hardly ever moved, then the points I mentioned above will not be relevant. Glass would make them heavier and may break in transit.
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I tend not too, as my framed pictures travel around with me to shows, workshops and exhibitions. I guess we all have our own opinions on this subject. Should you frame cross stitch behind glass? More room here will allow for a double matt to keep the work away from the glass. If you have added beads to your cross stitch or are framing a raised embroidery piece you might want to look at frames with a deep rebate, that is the "lip" on the back where you sit the glass, fabric and mount boards. If you want to add some colour to your framed piece think about using a coloured mount or matt board that compliments the colours used in the picture. On the other hand if you love pine furniture then a pine frame may work better. If most of the furniture is black, a black frame could fit in well. Think of the room in which the needlework will be hung when choosing the colour of the frame. An up to the minute unusual frame might look good now but could look really dated in years to come.
![framing embroidery framing embroidery](https://www.superprof.com/blog/wp-content/uploads/2019/11/how-to-frame-embroidery-1060x707.jpg)
When choosing a frame it may be best to go for something traditional.